What that means in practice, however, is that the times
when I’m feeling more like me – the times when I feel like sticking on a bit of
slap and pulling out a nice outfit, for example – are those when I’m seen by
few other people than medical staff. Hence the limited friends and family who get
to visit me these days think I’ve become some kind of pyjama-bound,
greasy-haired sloth, while my nurses think I’m some kind of overdone, wannabe
glamourpuss who’s striving for the questionable title of the Bet Lynch of the
chemo room.
Along with my increased tendency to dress like a
normal (okay, normal-to-mutton) human being, however, comes an increased
tendency to act like one too. And so, again, those who ought to be getting the
good stuff from me instead find themselves on the receiving end of the hurt and
the whining and the shitness, while those I probably ought to care less about
impressing (however many needles they might be wielding) get the breeziness and
the plucky stoicism and the daft jokes. Add to that the fact that P and I have
been making an effort to punctuate our increasing hospital visits with other,
pleasant, normal-person things (lunches, visits, supermarket-shopping…) in
order to say that we were able to do something else that day, and you’ve got yourself
a screwed-up existence in which our more fun days are gradually becoming those
on which we’re at the Royal Marsden. And don’t get me wrong, Marsden, I bloody love you and everything you’re doing for me – but surely nobody could argue
that this is the right way round for things to be.
A textbook example was the surgery I went in for
last week. Scheduled, ain’t it so, in Week #3 of my chemo schedule – aka the
‘good’ week – the op was designed to insert a Portacath (or, to give it its
proper, so-wanky-it-can-surely-only-have-been-dreamed-up-by-Sky-Sports name: a
‘PowerPort’) inside my chest in order for the nurses to get chemo into me and
blood out of me, now that the veins in my arm have finally taken early
retirement. I didn’t ought to moan about it, particularly since the PowerPort
is going to make my life (not to mention the nurses’ lives) so much easier and finally save me from
an existence spent with a forearm full of bruises, but I couldn’t help but see
the whole thing as yet another hefty hospital visit that was encroaching on the
piteously scant me-time I get these days. Thankfully though, all went to plan
– the op went well, the surgeons nailed the proper placement of the port, and
we eked out as much fun from a hospital stay as P and I (and my parents, who
kindly came down to London to have an excuse to visit Carluccio’s be
with us) have become expert at doing.
From time to time, though, that fun isn’t something
you brave-facedly enforce on such a situation, but something that’s there
anyway. Hence, as I’ve begrudgingly come to accept of The Bullshit all the way
along – with the wig-fittings, with the nipple-surgery, with the incessant gooning around in front of important consultants – the more entertaining parts
of it don’t always exist just because you’re feeling better; they’re there
because, despite the trauma or the misery or the heartbreak of what’s at stake,
sometimes the stuff that isn’t meant to be funny is that which has you laughing
the most. (You can’t imagine how hard it was to sidestep the ‘humour in a
tumour’ pun just then.) And last week’s surgery was a case in point.
Now, I’ve always secretly enjoyed a general
anaesthetic. Perhaps that’s just tragically symptomatic of the oh-so-exciting
life I lead, I dunno, but each time I’ve had one I’ve nerdily taken pleasure
from the little rituals that come with it: the there’s-no-way-you’ll-ever-get-me-to-sleep-mate
stubbornness directed towards the anaesthetist; the disbelief of the wholly
unnoticed passing of time in which someone’s sliced you open and stitched you
back together again without you knowing a thing; heck, I even like those shabby
gowns that take years of practice to tie in such a way as to not expose your bum.
It’s a bit on the ridiculous side, then, that I always come round from a general
anaesthetic to find myself in a quivering mess of tears, just as I did last week.
The waking-up is a funny old experience, ain’t it? And
recovery rooms, I find, are funny old places, complete with distrustful wall clocks,
body parts drawn on with indecipherable felt tip, and a trippy, morphine-hazed,
slowly dawning realisation that you’re alone in neither company nor
disorientation. I guess when you add the amount of morphine I’m on already to
the additional painkilling injections I received in the recovery room, I’m
bound to have seen this particular post-op experience through peculiarly
rose-tinted spectacles. But I defy even the most reliable of recovery-room
witnesses not to have been as weirded out as I was to wake up after surgery – both
in my usual quivery, moist-eyed way and
in considerable pain – to hear not the soothing voice of a reassuring nurse,
but a thunderously confident, X-Factor-audition-style
belting-out of ‘Heal the worrrrrrld, make
it a better plaaaaaace…’ from across the other side of the room.
‘What the f--?’ I said, immediately snapping out of
my tears and opening one eye in the hope of catching someone’s attention.
‘For youuuu
and for meeeee and the entire human raaaaace…’ Seriously, what the actual fuck…?
‘Lisa, hi!’ said a nurse to my left. ‘Don’t worry, darling,
it’s all over. Everything went we--’
‘But I can hear…’ I began, halting her in her post-procedure
practice.
‘There are
peeeeeople dyiiiiing…’ Was this for real?
‘Now, if you could tell me whether you’re in any pain...’ she
re-interrupted in such a blithe way as to make me certain I’d been given an
overdose of anaesthetic so powerful as to wake up imagining I was sharing a
recovery room with a female Michael Jackson impersonator.
‘If you care
enough for the liviiiiiiiing…’
‘Pain? Er, yeah, actually,’ I nodded, feeling no
sensation in the area that had been operated on, but instead a blinding throbbing
in my back and shoulders.
‘Okay darling, that’s no problem – we can give you
some morphine to help.’
‘Make a
better plaaaaace…’ There it was again. And getting louder.
‘But I’m hearing…’ I persisted. ‘There’s a…’
The nurse raised her hand to silence me. ‘Lisa, if
you could just tell me where the pain is, exactly…’
‘For
youuuuu and for meeeee…’ Seriously, what had they put in those drugs?
‘But nurse, listen to me! There’s a…’
‘Okay,’ she interrupted huffily, clearly getting
narked. ‘Maybe you can just point to
the pain?’ And so I raised my arm and directed it straight at the singing
cubicle opposite. (The only one, I hasten to add, with a curtain pulled around
it.)
‘Ahh,’ she said. ‘That.’
‘Yes! That!’ I said, perhaps a little too loudly. ‘Is
there really someone singing Michae--?’
‘Yes, darling,’ she said drily, as though she’d
been subject to it for roughly the last three hours. ‘But the other pain?’ she asked, before I duly
complied, gesturing more seriously at the areas in question.
Returning with the morphine injection, my nurse
explained that having it would require me spending a little longer in the
recovery room. Had I heard my crooning cohort breaking into ‘there's a choice we’re
makiiiiiing, we’re saving our own liiiiiives….’ prior to the needle being administered, I
might have thought twice about my prolonged stay. But, alas, it was too late –
and, with several more milligrams of the good stuff in my system, the episode continued
to get weirder.
As with all the other patients in the room, the nurses
would occasionally nip over to check on The Singing Spirit of Jacko in the
opposite cubicle: the only time, it seemed, when they could get any non-vocal
communication out of her. Although with such conversational nuggets as ‘you
girls didn’t ought to wear so much of that make-up muck when you’re on shift’ and
‘don’t tell me to be quiet – my husband’s a drug dealer and he’s only got 40%
of a brain’, I dare say they wish they hadn’t bothered. Someone who definitely wished he hadn’t bothered,
though, was her surgeon who, upon popping into the room to let her know that
her operation had gone well, was met with the words: ‘That’s wonderful, doctor.
Now I must do something for you,’ followed by a swift rendition of Doctor My Eyes.
‘Well at least you can’t say she’s not in context,’
I thought to myself, now onto my second morphine injection, druggedly nodding
my head along with ‘doctor my eyyyy-eeees
and tell meeeee what is wrong…’
‘Erm… er, that’s lovely, thank you,’ the serenaded surgeon
was saying, swiftly backing into the cubicle’s curtain, ‘but, um, I’m afraid
I’m due back in… er yes, see you later, then.’
By my third injection, however, I wasn’t so much
enjoying the craziness as frantically planning my own swift exit, stuck in a
bizarre Sophie’s Choice between fleeing from the musical mentalist and getting
the requisite morphine I needed to keep my pain at bay. Helping in no way was
my position lying directly opposite the world’s slowest-moving clock, from
where I was becoming worried about what P and my parents must be going through
upstairs, given that they’d been told to expect me back at 3pm and it was now
pushing 6. And all the while, the rest of us were being treated to an incessant
singathon of tunes spanning the entirety of the Jackson career: everything from
Never Can Say Goodbye to They Don’t Care About Us and all kinds
in between, each with lyric-snippets bizarrely in-keeping with our
recovery-room situation. Or, at least, they were until the moment at which I
decided I needed a wee. Naturally,
then, with my own curtain now drawn and my bare arse perched on the edge of a
bedpan, this was the moment at which my melodic mate chose not to help me along
by singing, say, Earth Song (‘what about raaaaain…’) or Will You Be There (‘hooooold meeeeeeee like the river Jorrrrrdaaaaan’) or even sodding Don’t Stop Til You Get Enough, but instead switch artists
altogether. To Madonna.
Picture the scene, then, if you will: me, in
going-nowhere agony, naked but for a pair of DVT socks and a now-untied NHS
gown, gripping the sides of the bed, determined not to topple off my bedpan
while desperately trying to force out a piss, with a nurse – a nurse I’d told I
couldn’t possibly wait another second without wetting myself – willing me along
from the other side of the curtain… and all to the sound of Like A Virgin.
‘I made it
throooooough the wilderneeeeeeeess…’
‘Let me know when you’ve finished, Lisa, and I’ll
empty the pan.’
‘Somehow I
made it throooo-uuuugh…’
‘I’ve not even ruddy started yet,’ I snapped back, hurriedly trying to conjure up images of Madonna’s Cherish video with the mermaids and all
the water.
‘Didn’t know
how lost I was until I found youuu-oooh…’
‘Are you getting there?’ asked the nurse again.
‘I was
beeeeeat…’
‘Guh. I can’t,’ I grunted.
‘Incompleeeete…’
‘I really need to,’ I explained, ‘but I think I’ve
got performance anxiety.’
The nurse fractionally pulled back the curtain to
peer at me and, raising an eyebrow as she nodded towards our crooning cohort,
added: ‘Yup, but we both know someone who hasn’t...’ A quip which, mercifully,
was enough to help me along with my water-based percussion.
See, the recovery room of a cancer hospital
doesn’t, on the face of it, sound like the most fun of working environments.
But coof, I bet they see some strange old sights in there. Because really, what’s
normal in a recovery room? I mean, you hear all sorts, don’t you – people
calling out their surgeon’s names, folk chatting ten to the dozen, patients
crying or laughing or screaming obscenities… but, from what I could gather,
none of them had previously been treated to a full-on set-list from the 1980s. And
when you’ve spent your day replacing bloody dressings and emptying bowls of
hard-fought urine, it’s got to be a relief to be able to add the odd amusing
story to the mix too, right?
That, though, is a reality that works both ways –
and so, just as I’m sure those nurses don’t want all their work stories to be bedpan-based,
nor do I want all my fun stories to be hospital-based. But lately, with the
balance of good days tipped disproportionately in the Marsden’s direction,
that’s the way it’s been looking. I’ll take it, like (I mean, hell, I’d rather
feel pain to a farcical soundtrack than nothing at all), but it’d be nice if,
just once, the stories I could tell were based somewhere other than my hospital
or my doctor’s or the edge of a sodding piss-pot.
It’s something P and I discussed yesterday, when we
had a visit from one of our counsellors. It came at a fortuitous moment,
following a particularly dark few post-chemo days of the usual physical shite
along with the now-standard trio of chemical-depression days in which it
becomes evermore impossible to grapple with the sheer bloody strain of it all.
You see, back in the day, when I was on a set schedule of chemo (six cycles and
you’re done) there was an end point; a finish line to make it to. But now I’m
on chemo indefinitely, with no such celebratory end point – we’ve just got to keep
on for as long as it’s working. Hence, on the days when it’s hard to find the
fight through the fog, continuing with a life like that – a life like this – seems like the kind of colossal
effort to which, daft as it might sound, there ought to be way more reward than
simply sticking around for more of the same. And so yesterday’s counselling session,
as I’m sure you can appreciate, was rather nicely timed.
They’re largely informal appointments, thankfully, just
as I think these things ought to be – both in deference to mine and P’s
respective ages and the point I made above about none of this Bullshit stuff
being as simplistic as to always be
impossible or always be jovial… or,
indeed, anything else in between. That’s not to say, however, that the sessions
aren’t hugely helpful to us – heck, we’re as shocked as anyone what we’ve taken
from them. I mean, upon initially being told that we’d be following a ‘mindfulness-based cognitive therapy
approach’, both mine and P’s wank-alarms chimed in unison but, in fact, it’s a
process that – we can’t help but confess – has helped us to become more
accepting of our situation, and of the feelings that come with it. And, as
someone who’s previously gone down the CBT route, I’m also rather chuffed that it’s
an approach that comes with far less homework and far more, well, chatting.
And so yesterday, we chatted about my surgery and the
not-so-soulful soundtrack that came along with it; about the fun ways in which we’ve
tried to make the opening month of a shaky-looking year more bearable; how I’m freaking
shitting myself about my brain-and-spine MRI on the 31st; how I want the (favourable,
please) results out of the way so I can get planning a much-deserved spring
break to New York; how I’m going to start poking in the eye the people who,
even despite posts like my last, are still.
just. flatly. refusing. not to fawn over/weep at/declare eternal love for/grieve
me at every sodding opportunity (HELLO! I’M STILL FUCKING HERE!); how spending
so much time at home has turned P into the kind of bloke who’s become
dangerously attached to his slippers; how I could never have anticipated how
purposeless I’d feel now that I’m unable to work; and how at least the new, weird-ass-looking,
PowerPort-disguising bump in my chest might at least give me cool-points in
Camden pubs where I can pretend it’s a microdermal piercing. (‘Yeah, AND I can insert needles into mine.’)
It
all ended, as the sessions with our brilliant Trinity Hospice counsellor tend
to do, with daft talk about P and his new shed/who ate the most cheese over
Christmas/devilish things to say to folk who stare at me when I’m in my wheelchair,
topping off an enormously useful 40 minutes in which I’d both sobbed to the
point of bloodshot eyes and laughed to the point of thigh-slapping – again,
just as I think these things ought to be. Because that, alas, is the way life
is, ain’t it? Sometimes tragic just comes with a side of funny.
Of course, it’d be simpler if it didn’t. It’d be
simpler if our feelings really were as easy to separate as the impeccably kept
filing cabinet in my Virgoan mind would like to think. And it’d be a whole lot
simpler for me personally if it weren’t for the wrongness of my hospital days
also being my good days, the injustice of my iller moments coinciding with
family-times, and the unfairness of my emotions never falling firmly into one
camp or the other. I suppose right now I just can’t get past how frustratingly
imbalanced life is on the fun-scale, is all, and there isn’t a star in
the sky I don’t find myself childishly wishing on in the hope that the balance
could be tipped just a little bit
more in the other direction. But, as even the performing patient – or, I dare
say, Michael Jackson himself – couldn’t fail to argue, it just ain’t as black
or white as that. But sheesh, it’d be really bloody nice if, somehow, I could
make that change. (‘S’gonna feel real
gooooood, gonna make a difference, gonna make it riiii-iiiiight…’)